Events

Artist: Lotte Kronborg

A sculptural/mixed media installation in Kelly’s Garden, Salamanaca Arts Centre

April 1st to April 30th

Open Mon – Fri 10am-5pm

Joel Crosswell ‘It Only Comes Out At Night’

Sculptural work in LIGHTBOX, Salamanca Arts Centre

Open Mon – Fri, 10am-5pm, Sat 10am – 4pm

Exhibition continues until April 30th

The official opening of the 2008 Hobart Fringe Festival

Opening 5:30pm April 2nd in conjunction with official opening of 2008 Hobart Fringe Festival.

Exhibition continues until April 30th

Open Mon – Fri, 10am-5pm

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

Opening 5:30pm April 2nd in conjunction with official opening of 2008 Hobart Fringe Festival

Exhibition continues until April 30th

Open Mon – Fri, 10am-5pm

Artists: Andrew Harper, Leila Mihal and Liam Sprod, David Norris, Craig Opie, Mischa Pringle, Mat Ward, Carolyn Wigston

Curated by Tim Panaretos

Local artists were invited to submit works that relate to one or more aspects of the arts scene in Tasmania. The resulting show encompasses works ranging from portraits of artists and musicians to investigations of the way particular themes are dealt with in Tasmanian art.

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

Mick Lowenstein has been a prominent member of the Hobart performance scene for over a decade, he brings his new show of stand up comedy, By Word of Mouse, to this year’s Hobart Fringe Festival.

This show, which will be an amalgam of Mick’s extremely physical and highly energy performance will blend whimsy, chaos, truth and improvised surrealism.

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

Mick Lowenstein has been a prominent member of the Hobart performance scene for over a decade, he brings his new show of stand up comedy, By Word of Mouse, to this year’s Hobart Fringe Festival.

This show, which will be an amalgam of Mick’s extremely physical and highly energy performance will blend whimsy, chaos, truth and improvised surrealism.

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

Mick Lowenstein has been a prominent member of the Hobart performance scene for over a decade, he brings his new show of stand up comedy, By Word of Mouse, to this year’s Hobart Fringe Festival.

This show, which will be an amalgam of Mick’s extremely physical and highly energy performance will blend whimsy, chaos, truth and improvised surrealism.

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

The Pharmacist – a cure for all ills?
Hypochondriacs, addicts, pragmatists, self healers…….

Will they find happiness in a bottle?

Direct from a sell out season at the 2007 Edinburgh Fringe Festival Directions Theatre presents The Pharmacist at the 2008 Hobart Fringe Festival

Everyone experiences pain. Everyone’s pain is different. How do people deal with pain of the body and pain of the mind? And does one cause the other?

Two actors, Jessie and Martine, arrive at an audition to discover only a bare room with a mysterious chair. The only instructions on what they should do are contained on the flyer advertising the play, and it soon becomes clear that this is no ordinary audition—or is it an audition at all? Will they obey the cryptic instructions? What of Damian, the director? Is this all a plot to get back at Martine, or is there something else? The answers, as always, lie in the choices Jessie and Martine are about to make.

The Pharmacist – a cure for all ills?
Hypochondriacs, addicts, pragmatists, self healers…….

Will they find happiness in a bottle?

Direct from a sell out season at the 2007 Edinburgh Fringe Festival Directions Theatre presents The Pharmacist at the 2008 Hobart Fringe Festival

Everyone experiences pain. Everyone’s pain is different. How do people deal with pain of the body and pain of the mind? And does one cause the other?

Two actors, Jessie and Martine, arrive at an audition to discover only a bare room with a mysterious chair. The only instructions on what they should do are contained on the flyer advertising the play, and it soon becomes clear that this is no ordinary audition—or is it an audition at all? Will they obey the cryptic instructions? What of Damian, the director? Is this all a plot to get back at Martine, or is there something else? The answers, as always, lie in the choices Jessie and Martine are about to make.

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

The Pharmacist – a cure for all ills?
Hypochondriacs, addicts, pragmatists, self healers…….

Will they find happiness in a bottle?

Direct from a sell out season at the 2007 Edinburgh Fringe Festival Directions Theatre presents The Pharmacist at the 2008 Hobart Fringe Festival

Everyone experiences pain. Everyone’s pain is different. How do people deal with pain of the body and pain of the mind? And does one cause the other?

Two actors, Jessie and Martine, arrive at an audition to discover only a bare room with a mysterious chair. The only instructions on what they should do are contained on the flyer advertising the play, and it soon becomes clear that this is no ordinary audition—or is it an audition at all? Will they obey the cryptic instructions? What of Damian, the director? Is this all a plot to get back at Martine, or is there something else? The answers, as always, lie in the choices Jessie and Martine are about to make.

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

The Pharmacist – a cure for all ills?
Hypochondriacs, addicts, pragmatists, self healers…….

Will they find happiness in a bottle?

Direct from a sell out season at the 2007 Edinburgh Fringe Festival Directions Theatre presents The Pharmacist at the 2008 Hobart Fringe Festival

Everyone experiences pain. Everyone’s pain is different. How do people deal with pain of the body and pain of the mind? And does one cause the other?

Two actors, Jessie and Martine, arrive at an audition to discover only a bare room with a mysterious chair. The only instructions on what they should do are contained on the flyer advertising the play, and it soon becomes clear that this is no ordinary audition—or is it an audition at all? Will they obey the cryptic instructions? What of Damian, the director? Is this all a plot to get back at Martine, or is there something else? The answers, as always, lie in the choices Jessie and Martine are about to make.

Legendary NYC jazz-influenced screamo band Off Minor are touring in April. This will be the only time you will ever have the chance to see this band in Tasmania, as it's their third and last tour of Australia. Its members have been involved in Saetia, Hot Cross, Amateur Party & Golden Brown Recordings. They will be supported by local lads The Scandal.

Licensed All Ages event.

Cavalier Productions presents this homage to the great 20th Century poet and writer. Featuring poetry, music and visuals. Directed by Dan Graham. Devised by Dan Graham with Script Collaborator Adam Ouston, with Martin Blackwell... Duration: 40 mins.

A contemporary dance work exploring the secrets the plague (or enhance?) the lives of many women, from alcohol abuse to the naughty job at the Men's Gallery. Choreographed by Angela Barnard with music by Craig Wood.

This performance is presented by the StarStruck Dance academy group "Hot Vanilla". Hot Vanilla aims to allow a range of dancers from experienced to beginners to participate, with the belief that everyone has something to offer. Contemporary dance classes are planned to being at the culmination of this performance, which are open to anyone.

Cavalier Productions presents this homage to the great 20th Century poet and writer. Featuring poetry, music and visuals. Directed by Dan Graham. Devised by Dan Graham with Script Collaborator Adam Ouston, with Martin Blackwell... Duration: 40 mins.

A contemporary dance work exploring the secrets the plague (or enhance?) the lives of many women, from alcohol abuse to the naughty job at the Men's Gallery. Choreographed by Angela Barnard with music by Craig Wood.

This performance is presented by the StarStruck Dance academy group "Hot Vanilla". Hot Vanilla aims to allow a range of dancers from experienced to beginners to participate, with the belief that everyone has something to offer. Contemporary dance classes are planned to being at the culmination of this performance, which are open to anyone.

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

Be immersed in this nature-inspired musical experience, Malcolm Battersby and band
perform their ambient Rock Art show, featuring moving imagery and a light show that engulfs
the audience. Support from Debra Manskey, founding member of Wild Pumpkins at Midnight,
who now performs as a solo artist - a mixture of folk, punk, roots (and everything in between)
overlaid with ìone of the finest female voices imaginable.

Peacock Theatre, April 18th & 19th. 7:30pm $5

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

Be immersed in this nature-inspired musical experience, Malcolm Battersby and band
perform their ambient Rock Art show, featuring moving imagery and a light show that engulfs
the audience. Support from Debra Manskey, founding member of Wild Pumpkins at Midnight,
who now performs as a solo artist - a mixture of folk, punk, roots (and everything in between)
overlaid with ìone of the finest female voices imaginable.

Peacock Theatre, April 18th & 19th. 7:30pm $5

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

This will be the second Guerilla Gallery from the 'homeless' artist run initiative (ARI) 10% Pending. The Guerilla Gallery is a 'flat-pack' gallery made entirely from cardboard and is designed to be temporarily set up in public spaces.

http://10percentpending.blogspot.com

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

Featuring live music, including Moe Grizzly, Matt Warren/Scot Cotterell + heaps more. There will also be a bar and some yummy food available too.

A cathertic transference of the story of the kidknapping of Patty Hearst by the Symbionese Liberation Army in 1974. Based on the kidnapping tapes by Hearst to her parents, the opera extricates the fear, boredom and eventual brief transformation into revolutionary. Written & choreographed by Leila Mihal & Alistair Ling.

A cathertic transference of the story of the kidknapping of Patty Hearst by the Symbionese Liberation Army in 1974. Based on the kidnapping tapes by Hearst to her parents, the opera extricates the fear, boredom and eventual brief transformation into revolutionary. Written & choreographed by Leila Mihal & Alistair Ling.

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

Patty Hearst Noise Opera

A cathartic transference of the story of the kidknapping of Patty Hearst by the Symbionese Liberation Army in 1974. Based on the kidnapping tapes by Hearst to her parents, the opera extricates the fear, boredom and eventual brief transformation into revolutionary. Written & choreographed by Leila Mihal & Alistair Ling.

Horse Opera!

This year Bust a MOVE’s Bridget Nicklason-King will run 14 one-hour contemporary dance workshops as a part of the Hobart Fringe Festival. Bridget has been actively involved in performance, mainly in contemporary dance since 1997; she has a Bachelor of Contemporary Arts and has worked with such companies as; Tasdance, Stompin, Is Theatre, Dancehouse (Melb), Red Cabbage (Melb), The Village (Aust), Circus Horrificus and she founded Bust a MOVE in 2004. She is particularly interested in improvising, non-verbal characterisation and developing group performance skills.

Wide Angle Tasmania presents screenings from the the national tour of the WOW film festival which promotes & awards the talents of women in the Australian film industry. Peacock Theatre, 3 sessions: Sat May 3rd-afternoon & evening, Sun 4th - afternoon. $8 full / $6 con, per session.

The times are as follows:

Saturday 2pm - Documentary
Saturday 6pm - Drama
Sunday 2pm - Fiction

http://www.wideangle.com.au/

Patty Hearst Noise Opera

A cathartic transference of the story of the kidknapping of Patty Hearst by the Symbionese Liberation Army in 1974. Based on the kidnapping tapes by Hearst to her parents, the opera extricates the fear, boredom and eventual brief transformation into revolutionary. Written & choreographed by Leila Mihal & Alistair Ling.

Horse Opera!

Wide Angle Tasmania presents screenings from the the national tour of the WOW film festival which promotes & awards the talents of women in the Australian film industry. Peacock Theatre, 3 sessions: Sat May 3rd-afternoon & evening, Sun 4th - afternoon. $8 full / $6 con, per session.

The times are as follows:

Saturday 2pm - Documentary
Saturday 6pm - Drama
Sunday 2pm - Fiction

http://www.wideangle.com.au/